Naoya Matsumoto’s 1 Rule May Have Been Key to Turning it into a Mega-Hit


There are numerous coming-of-age tales that may happen within the transitory part of maturity however a subgenre of the identical is the place Kaiju No. 8 lies. The subgenre is known as delayed coming of age. The themes of maturity, discovering your self on this planet, and different such components stay, besides that the age of the protagonist is far previous their 20s. One of many largest examples of the identical could be Julia Roberts’ Eat, Pray, Love.

Kaiju No. 8
Kaiju No. 8

Kaiju No. 8 stands as one other such story. On the earth of shonen manga, to determine oneself in such a magnitude is an enormous feat by itself. Naoya Matsumoto managed to take action with frequent tropes and a singular imaginative and prescient.

Whereas it may be debated upon about what precise style it matches in, one factor could be very clear; each the editor and the author disagree with it being science fiction.

Kaiju No. 8 is the World’s Reflection

In an interview with Manga Plus by ShueishaKaiju No. 8’s editor, Seijiro Nakaji received candid about the place precisely he sees the manga by way of genres. Whereas shonen genres revolve round fantasy, fiction, science fiction, and magic, Naoya Matsumoto’s work lies nowhere in between. Actually, it’s tied on to actuality.

Kaiju No. 8Kaiju No. 8
Kaiju No. 8

“Kaiju No. 8 isn’t science fiction, however relatively, it portrays a world that’s an extension of the on a regular basis world we presently stay in. The one distinction from actuality is that as a substitute of pure disasters, monsters seem. It’s not a futuristic, fictional world however relatively one which carefully resembles present-day Japan. To emphasise this, Japanese motifs like purchasing districts and swords are intentionally included.”

He defined that with a view to grasp realism, Japan was its largest inspiration. A fictional world can be a utopia, one with out the struggles of the actual world. Nevertheless, the world in Kaiju No. 8 is way from it. It’s crammed with elements of 1’s on a regular basis life and people that may make it much more relatable.

Nevertheless, all this got here to be due to Matsumoto’s one rule.

Storytellers are additionally Liars

Seijiro Nakaji revealed in his interview with Manga Plus by Shueisha that Naoya Matsumoto has one rule he strictly follows. It is usually a rule many different writers go by. The flexibility and energy to deceive your viewers. Fiction is a world of lies. Magic is an enormous creation of lies. Most tales are based mostly on lies. Kaiju No. 8 takes that and places just one lie within the story, the existence of monsters.

A still from the Kaiju No. 8 trailerA still from the Kaiju No. 8 trailer
A nonetheless from the Kaiju No. 8 trailer

“Matsumoto has a rule that ‘there is just one lie per story.’ Within the case of Kaiju No. 8, the existence of monsters is the massive lie. Whereas settings associated to this lie, such because the Protection Pressure and monster cleanup crew are launched, further parts like “people can use magic” are deliberately prevented. This makes it extra relatable and acceptable for readers.”

The creator limits himself to 1 lie per story. His lie merely being the substitute of pure disasters with precise monsters. He used all the things that made the world what it’s at present and turned it into the attractive story of Kaiju No. 8.

Kaiju No. 8 will likely be accessible to observe on X and Crunchyroll from thirteenth April 2024.


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